The most important person ever to walk jungle path and sandy beach is making his way to the Island. But he cannot get there alone; he needs a guide–someone of clear and keen vision. Jacob cannot be that guide. For Jacob saw as through a mirror, dimly, but the guide will see face to face. The guide sees not dim reflections of men and words written on stone. Rather, he sees men as they are, and the words written on their hearts.
“Jack is here because he has to do something. He can’t be told what that is–he has to find it himself.” Tonight, in the lighthouse, Jack began to see with new eyes. The Island has its guide.
As the final season moves forward, so do our characters, both on island and off. So far, we’ve seen that the sinking of the island in the flash sideways has changed many things in the lives of our Losties. Hurley is no longer cursed, Locke is getting married, Sun isn’t married (or is she? What are your thoughts?) But this week, we were exposed to the biggest change we’ve seen thus far. In addition, this is the first episode of the season that truly feels like Season One to me. It’s as if we are being reintroduced to the characters we fell in love with nearly six years ago.
This is a live reaction and recap video of episode 6.05, “Lighthouse,” which aired February 23, 2010 on ABC. This episode was written by Carlton Cuse and Damon Lindelof and directed by Jack Bender. The episode focused on Jack’s life off the island in the flash sideways and gave us more information about Claire’s situation and what the numbers mean.
We also find out that Jack has a son (in the flash sideways) named David, but we don’t know who his mother is!! (I hope it’s Sarah.)
Prime Candidate: Cultural Thoughts on LOST 6.04, “The Substitute”
by Pearson Moore
We know who he is. We know his history and we understand his motivations. The Prime Candidate was identified not only by name, but by number.
Carlton Cuse promised “illumination” in this episode, and he delivered: illuminated integers, a child glowing in the jungle, and brilliantly coloured themes of balance, strength, and humanity.  “The Substitute” was a feast for the eyes and for the mind, and arguably the richest episode of the last six seasons.
Magnificence
The Cultural Mythology of LOST 1.01 to 6.18
by Pearson Moore
His name is Kambei Shimada, a ronin who lived five hundred years ago. He is an aged, balding, unemployed swordsman, symbol of a dying breed of men useless in an age of muskets. His story required only two hundred seven minutes of celluloid. We think we know him: hero, defender of peasants, leader of men. But his story does not end with one year’s barley harvest, or even an entire nation’s movement into the modern age. Without Kambei Shimada, we understand neither sixteenth century Japan, nor even twenty-first century America. This single figure from the imagination of Akira Kurosawa holds the key to LOST.
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