Via TheWrap.com:

ABC is planning a “Lost” weekend: The network has just scheduled a repeat showing of the show’s two-hour 2004 pilot for the night before its finale.

The J.J. Abrams-directed, $10 million-plus spectacular will air Saturday, May 22 from 8-10 p.m., ABC told affiliates today. The two-hour finale will air the following evening from 9-11 p.m.

This brings the total number of “Lost” hours ABC is planning for the week of May 17 to 10. There’s the penultimate episode of May 19; the pilot encore on May 22; a two-hour pre-show/recap on May 23; the finale itself; and “Jimmy Kimmel: After the Final Rose” (also on May 23).

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[Via ABC.com/LOST]

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Via TV Guide:

TVGuide.com: At what point did you decide: We really need to set an end date for the series. And why?
Lindelof: For us, the primary belief in the first season of the show was that we would not be able to sustain this premise forever because that’s what the story tells you. If the story starts with a plane crashing on an island, the story’s going to end when the people get off the island, and for us, the process of keeping them from leaving the island was going to be very finite.

By early in the second season, we engaged in a series of dialogues with the network, saying, hey, these flashbacks are not going to last forever. Once we answer the seminal mysteries of what it is that Kate did or how Locke ended up in the wheelchair, why Hurley ended up in a mental institution, then that phase of the story is done and we have to move into the next phase of the story, which we knew was basically the flash-forwards and the story of the Oceanic 6. We didn’t pull the trigger until we were allowed to move to the inevitable conclusion.

We always did our best to make the show great, but when you’re halfway through Season 3 and you’re doing episodes about Jack flying a kite in Thailand, then the network finally said, “Oh, this is what you guys were talking about.” So we were able to agree upon how many episodes were left and at that point we knew exactly how much time we had to arrive at our destination.

TVGuide.com: Have you always known what the end of the series would be? Has it changed at all?
Cuse: Always is the operative word. We developed a mythology, as I said earlier, in the first season and between the first and the second season, and we’re actually moving toward that exact end point. I mean, that has not changed. Certain details of how the show ends have evolved over time but that’s mainly on a character level as we’ve gotten to know the characters and seen how the actors interact. So there are parts of the ending that are still living and breathing, but the actual mythological endpoint has been constant since we developed the show.

TVGuide.com: How do you respond to the criticism that people who were passionate about the show at the beginning have gotten “lost” along the way? Do you ever think: We’ve made things too complicated. We need to be simpler.

Cuse: In order to sustain a show over what ultimately will be 120 episodes, it has to be complex. If you took a non-Harry Potter viewer and asked them to watch the fourth or fifth movie, I think they’d be very confused about what’s going on. We feel like Season 5 was the highest degree of difficulty. We hope that a lot of viewers who left will come back for the end of the show. We tried to design the show with a certain circularity and we feel like Season 6 will be very much like Season 1 and while you do need to know backstories to follow what’s going on in Season 6, it’s very character-centric.

TVGuide.com: Did you ever think about syndication when you were creating the show, in that it’s so mythology-heavy?
Lindelof: I think at the time that Lost and Desperate Housewives and Grey’s Anatomy came along, serialized was a dirty word. But those shows basically proved that you could create a water-cooler zeitgeist around a show because it was serialized. To [ABC president] Steve McPherson’s credit, I think that there was a lot more focus on being successful while you were on the air, as opposed to thinking forward to what the possible syndication deals would be.

Fortunately for us at this time, the DVD television market was exploding. That provided a revenue stream for them that made up for the fact that the show probably wouldn’t [syndicate] well. But if you watch the first season of Lost, the heavy mythological elements were not really in play. There was character serialization, the romance, that kind of stuff, but in Season 1 it took them eight episodes to build a raft; in Season 5, they jump through time four times in a single episode. I don’t think we could’ve gotten away with that in Season 1, nor did we want to.

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“Exodus”

Official Synopsis: Rousseau arrives at the camp with the warning that the Others are coming, meaning that everyone is in danger. To protect the group, Rousseau leads Jack and a team of survivors to the Black Rock, where there is dynamite. Jack hopes that with it they can blow open the Hatch door, and hide inside until the threat passes. Back at the camp, the survivors prepare the raft for launching.

Written by: Damon Lindelof & Carlton Cuse.
Directed by: Jack Bender.
Original Airdate: May 18, 2005 (Part 1), May 25, 2005 (Part 2 & Part 3).

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“Pilot”

Official Synopsis: A sudden plane crash leaves at least 48 survivors stranded on a jungle island, forced to scavenge for survival from the wreckage of the plane. As they get their bearings and pin their hopes on a quick rescue, the band of strangers begin to learn the island holds deep and dark secrets.

Written by: J.J. Abrams & Damon Lindelof.
Directed by: J.J. Abrams.
Original Airdate: September 22, 2004 (Part 1), September 29, 2004 (Part 2).

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[polldaddy poll="2275472"]

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3. Interactive, Globe-Spanning LOST Timeline

Via The Washington Post:

As “Lost’s” plot skips back and forth through time and boomerangs around the globe, we capture the action in this interactive timeline — allowing you to explore the show by year, location or season. Remember, locations and dates are based on information gathered from the show and should be considered approximate (and fictional). And we know we missed a few — so please submit more!

Project Credits:Jen Chaney, Jennifer Crandell, Liz Kelly and LostPedia | Development Credits: Dan Berko, Chris Buddie, Jesse Foltz and Steven King.

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Visit our LOST Store to pre-order both seasons on Blu-ray. All pre-orders will ship on June 16.

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IO9 has published some scans of the official book “LOST: Messages from the Island: The Best of The Official Lost Magazine”, which will be released on June 30. The original concept art shows the tail section of Oceanic 815 was originally supposed to crashland on the same beach as the rest of the plane:

The official description of the book:

This companion, from the pages of Lost: The Official Magazine, gives an insight into the world of the smash-hit ABC show and includes cast and crew interviews, character profiles and features on various aspects of life on ‘the island’. A must-have book for any fan.

From the producer of box office smash Cloverfield and the TV series Alias, JJ Abrams’ Lost is one of the most successful television shows of recent years: Part survival drama, part mystery thriller and part character study.

After Oceanic Air flight 815 tore apart in mid-air and crashed on a Pacific island, its survivors are caught up in a fight to survive. Can the rag-tag group unravel the island’s secrets and find a way to escape, or will they remain lost forever?

Lost: Messages from the Island also features a brand-new foreword by Lost executive producers Damon Lindelof and Carlton Cuse.

Paperback: 176 pages.
Publisher: Titan Books.

Click here to pre-order it on Amazon.

[Via IO9]

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Tvshowsondvd.com is reporting that both seasons are coming on Blu-ray on June 16th:

This past January a press release was issued by Walt Disney Studios Home Entertainment at the CES show, detailing their Blu-ray Disc plans for 2009. Among those plans were high-definition releases for the first two seasons of Lost, but no timetable or details were given at the time. Today, just a short time ago, the studio formally announced two separate Blu-ray Disc releases, one for the rookie year, and one for the sophomore year of the show.

June 16th will see the release of both Lost – The Complete 1st Season on Blu-ray Disc, AND the high-def version of Lost – The Complete 2nd Season: The Extended Experience. Each will be priced at $69.99 SRP (which is what the fourth season on Blu went for, and we expect the fifth season BD set – already up for pre-order, but without a release date – to get adjusted to that price when it gets formally announced). All episodes on both sets will be presented in high definition 1080p resolution. Audio on the episodes is available in Uncompressed English 5.1, with options available in English and French 5.1 Dolby Digital, and Spanish 2.0 Dolby Digital. English, French and Spanish subtitles are also boarding for this flight.

All the bonus material from the DVD releases appears to be intact, presented in 480i video resolution and English 5.1 Dolby Digital sound, and with subtitle options in English, French and Spanish. No word about any new-to-Blu extras is mentioned, but it’s noted that the current information is still subject to change.

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Mary Ann Taheny, the Hawaii-based actress who played the role of Jenna (the Oceanic Airlines gate 23 attendant) back in Season One, reappeared on last night’s episode “Jughead” as a secretary at Oxford University.

According to ABC’s official press release for this episode, she was playing a different character, called Moira.

Thanks to Lost-A-Natic for the heads up!

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Source: EW.com

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In my opinion, ABC’s LOST promos tend to reveal too much information (last year, Michael Emerson said that his wife skips the previews for the next episodes) but that doesn’t mean that they aren’t as exciting as the show itself.

Here’s my list of the best LOST promos that have been aired so far. Feel free to use the comments section  below to post your personal picks!

#16: 2×07 – “The Other 48 Days” Promo

#15: 4×02 – “Confirmed Dead” Promo

#14: Season Two Finale Promo

#13: 3×06 – “I Do” Promo

#12: 4×11 – “Cabin Fever” Promo

#11: 3×13 – “The Man from Tallahassee” Promo

#10: 4×09 – “The Shape of Things to Come” Promo

#9: 3×20 – “The Man Behind the Curtain” Promo

#8: Season One Finale Promo

#7: Season Three Promo

#6: Season Two Locke Promo

#5: Season Four Promo

#4: Season Three Finale Promo

#3: Season Five Promo

#2: Season Three Finale UK Promo

#1: Season One UK Promo

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Below is a new article from IGN.com. (It contains some minor spoilers).

LOST‘s executive producer/showrunners Damon Lindelof and Carlton Cuse spoke yesterday at Creative Screenwriting’s 2008 Screenwriting Expo, for an informative and fun Q&A about their creative process on the fascinating series.

The duo talked about their history together, dating back to when Cuse hired Lindelof as a writer on Nash Bridges. Cuse recounted how he’d specifically asked to see something original Lindelof had written (as opposed to a spec script based on an existing series), and was very impressed by the 17 page sample he was given of a one-act play Lindelof wrote… only to later discover Lindelof had hastily written those pages specifically for Cuse to see.

Nash Bridges star Cheech Marin plays Hurley’s dad on Lost, and Cuse revealed another Nash alum, Patrick Fischler, will be guest starring on an episode in Season 5. Mad Men fans will recognize Fischler for his recent role as Jimmy Barrett.

After working on Kevin Williamson’s Wasteland, Nash Bridges and Tim Kring’s Crossing Jordan, Lindelof recalled a meeting where he was told he’d have, “‘a great chance for you to meet J.J. [Abrams],’ who I’d been stalking for years, since Felicity and Alias.” When Abrams made it clear he had no interest in running Lost on the heels of four years each of Felicity and Alias, and also thanks to his interest in features, Lindelof knew he, “needed someone with experience” to help him, and turned to his old boss Cuse.

Lindelof admitted he was initially intimidated by the “insane creative challenges” of Lost, recalling that while they were waiting to hear if the project would be picked up as a series, he had people at the network telling him, “Yeah, the pilot is great, but there’s no series there. How are you going to do this every week?” Lindelof joked that his reply was, “I have no f**ing idea. Please don’t pick it up!”

Lost had a very expensive pilot, costing 11.5 million dollars. Cuse and Lindelof recalled that the ABC executive who greenlit it, “knew ABC was going to fire him, so this was sort of his final f**k you to them.”

Discussing the flashbacks on the series, Cuse said it was really exciting in the first year, answering the question, “Who are these guys?”, as the flashbacks could reveal big surprises about the character and their history. However, Cuse said eventually the problem became, “There’s only so many revelatory flashbacks,” and that by the time you get to flashbacks answering, “‘Why does Jack have tattoos’ and ‘Why does Desmond call everyone brother’, it’s a fairly good illustration that these flashbacks were running out of steam”

Cuse and Lindelof expressed their thankfulness they they’ve firmly established an end date for the series, saying the challenge of the flashbacks were one illustration that, “there’s a finite amount of material” in the story of Lost.

However, Cuse noted how helpful the flashbacks were early on, bringing up the example of the episode where Sawyer is trying to kill the boar – by showing flashbacks that helped explain why Sawyer could become so obsessed with something seemingly so random, it could flesh out the character without having him stop to deliver a long monologue, which Cuse said would have consisted of, “Here’s why I need to kill that boar, because it represents X!”

Asked if they know the answers to all the questions they raise on the show right away or sometimes figure it out as they go along, the duo said it was a combination of the two. Lindelof recalled how the entire pilot was put together – including writing, casting and production – in 12 weeks, which didn’t allow much time to come up with any long-term mythology. However, once the series was given a full season order, beyond the initial 12 episode order it received, Cuse said he and Lindelof sat down and discussed, “What the overall mythological underpinnings of the show would be. We quickly landed on the ending, and then constructed this broader road map of other mythological points we’d hit on this story.”

While each season of Lost is mapped out, the duo said you have to, “let the show organically tell us what it’s going to be,” bringing up the character of Ben Linus as an example. Ben was originally only intended for a three episode arc, and Lindelof and Cuse were playing a bit of wait and see as to whether or not he would turn out to be the leader of the Others, based on how things went with the actor playing the part. But once Michael Emerson was cast, “he was so good, we ended up writing eight episodes for that guy,” in Season 2, and then made him a regular. The decision to extend the original Ben storyline, in which he was held captive within the hatch, then had an influence on other storylines – Lindelof said they’d already decided that Michael, forced to help the Others to get Walt back, would kill Ana Lucia and Libby. But by extending Emerson’s time on the show, Michael’s specific task now became to free Ben.

Lindelof said they also knew from the start that Kate had killed someone and that it was probably her father – but, “the question became ‘when do we pull the trigger on [telling that story]?” and that the key was to, “bring it to an emotional point where it’s relevant to what’s happening on the island. “

However, Lindelof and Cuse said that things had changed considerably now that they know the end of the show, with Lindelof explaining, “Certainly since we got an end date, that sort of fly by the seat of your pants story is gone now. Showing scenes [set] three years from now, you can’t change it.”

Cuse said that while they know the fans love to dissect the mythology, “We probably spend 80% on character, and 20% on mythology,” stressing that he thinks the focus on the characters, is “Why the show crossed over to not being a small genre show.” That being said, he acknowledged, “This year will probably be a little bit more science fictiony.”

Lindelof laughed that, “We sort of suckered people into this show but not presenting it as a science fiction show right out of the gate,” noting that there were elements early on that were, “like a Rorschach test”, saying that when Flight 815′s pilot is killed, someone who didn’t like sci-fi would think, “there has to be a rational explanation.” Even the reveal that Locke could walk on the island was tempered by the fact that they still hadn’t revealed why he was in the chair in the first place, leaving the opportunity that, “it could be psychosomatic.” Lindelof said Raiders of the Lost Ark was a great example of a story that has blatantly science fiction elements, noting, “Nazis melt and ghost fly out of this ark,” but that it waits a long time before presenting these elements, allowing the audience to fall in love with Indiana Jones first. Lindelof said he felt shows like Invasion probably had a harder time finding a wide audience because, “They said ‘Alien!’, right out of the gate.’”

Lindelof said that when it came to slowly building into more science fiction, “Lost has really been about the long con, because by the time we get to season 6, it’s going to be f**king crazy!”

The duo stressed that while they have introduced time travel and flash-forwards into Lost, they’ve firmly decided to never do a paradox story, with Cuse saying, “It’s not like Heroes,” where the future is always something that can be prevented or changed, but in fact on Lost, “There’s nothing you can do to stop it from happening, and the more you try to stop it, the more potential there is for you to be the cause [of that future event].”

Cuse said he felt that if the future is always alterable, the stakes are lower, and they wanted to “set the bar higher. What they saw [in the future] is what actually happens. That is going to inevitably occur.”

As for the end of the series, and whether every question will be answered, Lindelof noted, “Sometimes we’re presenting things that are not really questions for us, but they become questions for the audience, and we don’t have an intention of answering them.” He said that something like what is causing that roar in the jungle they certainly intend to answer, but, “that’s not to say there won’t be some questions left,” depending on the individual viewer and what they become fixated on.

He went on to say, “There’s a fine line between The Sopranos ending and the way we plan on ending our show. There are going to be a lot of mythological wrap ups, but our suspicion is most people really care how the characters end up – who’s going to end up with who? Who lives? Who dies? Those are the questions we’re really interested in answering.” Cuse gave an example he’s given before, The Phantom Menace‘s infamous midichlorians, of how you want to be careful of going too far explaining things that probably don’t need to be explained. The duo noted that there are certain questions specific people can get hung up on that aren’t integral to a story – two examples given were “Why are certain people born with the ability to use magic?” in Harry Potter and “Why is the wardrobe a portal to Narnia?” in The Lion, the Witch and the Wardrobe.

Acknowledging the failure of Nikki and Paulo with the audience, Cuse answered a question about the oft-confused Steve and Scott and said that not only would there not be an episode focused on them, but that there is “a very tragic event that happens this season.” Lindelof said the original plan for Nikki and Paulo was to have them be like Rose and Bernard, “and occasionally have these characters melt out of the chorus so they had a voice. We weren’t going to make them part of the grand story arc.” Cuse said that when they decided to write Nikki and Paulo out, they took plans they had for their overall back-story, and “put it into one episode. We would have played that out over a much more elaborate set of flashbacks. Instead we compressed it into one episode.”

Discussing how Mr. Eko became a much shorter-lived character than originally intended, Lindelof noted how it stemmed from actor Adewale Akinnuoye-Agbaje, who did not like living in Hawaii. Lindelof said, ” Our Mr. Eko plans very quickly derailed. Adawele’s unhappiness was almost instantaneous. On his second episode, he was expressing extreme dissatisfaction.” This led to them quickly changing Mr. Eko’s storyline to one that would only last one season. Asked what might have happened with Eko had he been the long term character he was going to be, Lindelof answered, “Originally he was going to be someone who challenged Locke for the spiritual leadership of the castaways.”

Talking about Desmond and Penny and the fact that they reunited at the end of Season 4, Cuse and Lindelof said they liked putting a big dramatic beat like that in well before the end, instead of saving it all for the final episode. Lindelof also said that having played out their separation for so long, “If we’d waited any longer to get them back together, it would have risked people going, ‘Enough already.’” That being said, going forward, “It’s a challenge, because they’re together now.” Evoking other famous TV couples like Ross and Rachel, and on the negative side, David and Maddie, Lindelof said the question becomes, “Do we still have compelling stories to tell with these characters?”

As the panel ended, moderator Jeff Goldsmith jokingly asked the duo their “Favorite scene from the Season 6 finale.” Cuse’s answer was obviously a joke, as he said his favorite scene was, “the set up for the zombie season.” Fans can speculate however on whether Lindelof was joking or giving any sort of real hint, when he said, “It involves a volcano.” Come May 2010, we’ll find out.

Article taken from IGN.com

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Video | YouTube

You can download the song from Amazon.com on this link.

iTunes: Click here to suscribe to the sl-LOST Video Podcast and start watching the show on your iPod! For more info, please visit the Podcast section.

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If you already have the game, you can download this level to your PS3. If you still don’t own the video game you can buy it on Amazon on this link.

Video | YouTube

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The 15th episode focuses on the enemies that the 815 survivors have faced since they crashed on the Island.

YouTube|link

iTunes: Click here to suscribe to the sl-LOST Video Podcast and start watching the show on your iPod!

For more info, please visit the Podcast section.

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William Mapother talked to e’Guide about his experience working on the show.

e’Guide: So far, you played the part of Ethan Rom in nine episodes and on one mobisode. How did you prepare for playing this role? Did you get enough information to play him perfectly, or was it just intuitively?

WM: I was hired the morning that “Lost” premiered in the US. My agent called to say I had been offered two episodes (in other words, I didn’t have to audition because they knew my work from the movie “In the Bedroom”). I told her I hadn’t heard of the show and she said, “It starts tonight.” (I had to cancel a trip for a reunion with old college friends, and they were really annoyed with me. Now, however, they realize that I made the right decision!) The next morning, when I flew to Honolulu, the show was already a hit. I went right from the airport to the set. They didn’t seem to know everything about Ethan yet, so I had to play him intuitively. Also, we shot many different versions of the scenes, so they had lots of choices in the editing room.

e’Guide: Your character died during season one, but we saw him in season two and three again. How was returning to the set of “Lost”? Do you have personal contact to the other actors?

WM: It was a blast to return, because the cast and crew are marvelous to work with. The producers assembled a great group of people for that show. I keep in touch with several of the actors, yes.

e’Guide: In Germany the fourth season is airing right now on Pay-TV. Do you still watch the show over there? Who’s you favorite character? What’s your own theory of the things happening on the island? And what do you think about the fourth season and the development of the show?

WM: I’m a huge fan of the show and never miss an episode. And whenever my own scenes come on, I get a bit impatient, like, “Get that damn Mapother off the screen, so I can focus on the show!”. I tend to like the characters who are a bit mysterious and unpredictable, like Locke and Ben. I have NO idea what’s happening on the island, and I love it that way. I thought the fourth season was great. The only thing missing was Ethan!

e’Guide: Ethan Rom was last seen in a mobisode, where he talked to Matthew Fox’s character Jack and mentioned that his wife died in childbirth along with the baby. Where you surprised about this new aspect of your character’s motivation? Are there any plans to make him return in season five or six? Would you like to play him again?

WM: Yes, I was like, “Whoops, I have a wife and child???” I also didn’t know that I was a surgeon, which Ben mentions in Jack. That’s part of what makes it fun acting on the show – we always have more to add in future performances.

Sources: Eguide-online and DarkUfo

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G4 Promo:

Sci-Fi Channel Promo (Recorded with a cell phone):

Source: The Odi

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